Cinematography, videography and photography are more than just trades, they are art. VidMuze Aerial Cinema, LLC’s entire team is made up of professionals who understand this first and foremost. With our experience as cinematographers and filmmakers, we understand the importance of selecting the correct lenses, crafting the most dynamic movement for each shot and through collaboration with our clients, developing the most appropriate look and style of the footage we create.

Mike Gentilini, Jr.
Pilot & Cinematographer

Mike is the founder and owner of VidMuze. His love for cinema began at an early age. He has been a camera operator in the TV/Film industry for over 15 years.

Mike has been a camera operator for numerous feature films, commercials, music videos and promotional productions. Mike and Ryan have been working together since 2012. Ryan works as a 1st AC, assisting and pulling focus for Mike.

As Mike’s career progressed, he started advancing his abilities as a camera movement specialist. Starting out as a MoVI Operator, Mike started using camera stabilizer gimbals once they became available for filmmakers. This was a huge game changer. In 2012, Mike started piloting multi-rotor drones, taking cinema cameras to the skies. He had been flying RC helicopters and RC fixed-wing planes since his teen years. With his filmmaking experience and his eye for cinematography, this keeps the aerial team in sync, capturing the best possible cinematic shots.

James Suttles
Gimbal Operator & Cinematographer

James works directly with the director or DP (Director of Photography). It’s important that we as a team understand the imagery and camera blocking needed by the director or DP.

Drones are extremely versatile because they travel in 3d space. James also helps provide creative options for the director/DP so that the most epic and cinematic imagery can be captured.

There are three sides to creating the best possible aerial imagery.

  1. Camera Blocking: Aerial cinematography usually begins and ends with a starting point and and ending point. Deciding the proper position for the camera; the starting/ending height and positions, pushing in, pulling out, dolly left or right, elevating up or descending down. These are all options that James will help facilitate to the director or DP.
  2. Lens Choice: Once camera blocking is determined, a focal length needs to be decided on. With all of the years as a DP, James will provide professional advice with which lens would be best to shoot with.
  3. Camera Settings: Depending on the type of shot, the light being used and the overall speed of the shot, James will advise to which are the optimum camera settings for the type of shot.

Ryan Atkins
Safety Office

Ryan as the safety officer has three main focuses at all times:

  1. Keeping all people safe
  2. Keeping the drone safe
  3. Keeping all other equipment and property safe.

He accomplishes this by working closely with Mike, completing his field of view during flight by retaining visual line of sight with the drone at all times. This dual observation method is a big part of what keeps our shoots so safe and incident-free.

When the drone is safe on the ground, Ryan assists Mike and James to improve efficiency and make sure every shot gets accomplished. He charges batteries, swaps lenses, maintains location safety, communicates with the public, and generally takes care of things “behind-the-scenes” to make sure the aerial shoot goes smoothly.

Let us provide you cutting edge aerial cinema for your productions.
We look forward to working with you!

We’re located in the beautiful Blue Ridge Mountains of Asheville, North Carolina.

Bookings: +1 (828) 338-9797
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Available Worldwide